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    <loc>http://www.racheltophamphotography.com/spaces</loc>
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    <lastmod>2021-07-10</lastmod>
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      <image:title>spaces</image:title>
      <image:caption>Barbara Kruger Untitled (SmashUp), 2016 site-specific installation at the Vancouver Art Gallery. Photo: Rachel Topham, Vancouver Art Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1544669430819-V70FXOLHWOQC89YD3J0T/Kruger_1.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Barbara Kruger Untitled (SmashUp), 2016 site-specific installation at the Vancouver Art Gallery. Photo: Rachel Topham, Vancouver Art Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598039000089-897WWRXIMPINPLE3CS5Z/CJG_V_Blass_2020_98.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>installation view of Valérie Blass’s “La poudre aux yeux: Of smoke in mirrors” at Catriona Jeffries Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1490195004414-1MCHDV2K8ZA8NKRI6Z7S/Facade_Sonnny_Assu.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Installation view of Sonny Assu’s projection during FAÇADE. Projection mapping and outdoor architectural intervention on the Vancouver Art Gallery, September 4-7, 2015, 9pm to 3am. Photo: Rachel Topham, Vancouver Art Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598038313001-V7EG37MXSTE3XZ8JPOML/Evergreen_Trace_7.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>installation view of “Trace” at the Art Gallery at Evergreen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598038314089-CI7YTPEOU7G5IOIK2M8X/Evergreen_Trace_9.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>installation view of “Trace” at the Art Gallery at Evergreen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1439403725424-U0WWSH13OBECBQ0GP4BW/Rachel_Topham_Photography_23.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Elspeth Pratt, Second Date, 2011, site-specific installation at Vancouver Art Gallery Offsite June 29, 2011 to January 8, 2012 Photo: Rachel Topham, Vancouver Art Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1544669283285-BMNPZ6I6FY5NM86PYQ8V/Germaine_Koh_Evergreen_4.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Installation view of Germaine Koh: Home Made Home, exhibition at the Art Gallery at Evergreen, 2018. Photo: Rachel Topham Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598038347700-UVUFWFY7I3WU75AIBDA8/SMART_samson_young_1.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>installation view of Samson Young’s “Silver Moon Or Golden Star Which Will You Buy Of Me” at the SMART museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598038350488-6BN10P2R3CDHS97PH5U8/SMART_samson_young_7.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>installation view of Samson Young’s “Silver Moon Or Golden Star Which Will You Buy Of Me” at the SMART museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598038350694-LJUM0SF8SBGMPAPZIKEO/SMART_samson_young_18.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>installation view of Samson Young’s “Silver Moon Or Golden Star Which Will You Buy Of Me” at the SMART museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598038352657-BRM2FK8P91GNU4DDQL04/SMART_samson_young_39.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>installation view of Samson Young’s “Silver Moon Or Golden Star Which Will You Buy Of Me” at the SMART museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1453398833144-XHV1CLOL3Q2DLMJUH0J9/Kruger.jpg</image:loc>
      <image:title>spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598038344432-D91XMEZIA69ERFU26PJD/Sharona_Franklin_Tellurian_Dinner_35.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>installation view of Sharona Franklin’s “Tellurian Dinner” at Audain Gallery, SFU</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598038347994-A55UESF7EDLI744N54B3/Sharona_Franklin_Tellurian_Dinner_39.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>installation view of Sharona Franklin’s “Tellurian Dinner” at Audain Gallery, SFU</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598038358635-OSXRVMZF2XAWZQGHESYU/Transmissions_1.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>installation view of “TRANSMISSIONS” at SFU Woodwards</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598038359917-5YRNGFU3M4VU3R54FDF8/Transmissions_3.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>installation view of “TRANSMISSIONS” at SFU Woodwards</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598038362886-8YG6IQTA7S57Q4DDZRLD/Transmissions_7.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>installation view of “TRANSMISSIONS” at SFU Woodwards</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598038361871-AEWRV3UKORLCNET4774N/Transmissions_6.jpg</image:loc>
      <image:title>spaces</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598038157029-K024BCBBER0DOYN0IRKF/Capture_2020_Arbutus_3.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>documentation for Capture 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598038156345-5N3DACGV6NPXUAD71AVP/Capture_2020_City_Centre_1.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>documentation for Capture 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598039723530-XTVEG8OSH2XEIQ94ZJYR/heart_2.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>installation view of Rochelle Goldberg’s “gatekeepers” at Catriona Jeffries Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598038232554-RGRGBVEZUD7457QQWOIO/CJG_Rochelle_2.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>installation view of Rochelle Goldberg’s “gatekeepers” at Catriona Jeffries Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598038233683-UI6MBJ9GUSLG57JTZIZK/CJG_Rochelle_10.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>installation view of Rochelle Goldberg’s “gatekeepers” at Catriona Jeffries Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1544669315467-J31TMCUZU508IY1CU2FP/Germaine_Koh_Evergreen_15.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Installation view of Germaine Koh: Home Made Home, exhibition at the Art Gallery at Evergreen, 2018, Photo: Rachel Topham Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1544669241592-AMACWYJT8PDKFA8QK2WP/Equinox_Teng_2.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Installation view of Angela Teng’s A Coloured Image of the Sun. Exhibition at Equinox Gallery, November 24, 2018 - December 22, 2018. Photo: Rachel Topham Photography.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1439403621383-PUUEH5IIKFIAA9JTZHG1/Doug_Coupland_install_147.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Installation view of Douglas Coupland: everywhere is anywhere is anything is everything. Exhibition at the Vancouver Art Gallery, May 31 to September 1, 2014. Photo: Rachel Topham, Vancouver Art Gallery.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1544669251387-HZUP320K0XOVBPMWE0FQ/evergreen_colour_burst_001.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Installation view of Colour Burst, exhibition at the Art Gallery at Evergreen, 2017, Photo: Rachel Topham Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1544669260930-PTLZL3HF96NJPCHBHAEP/Flowers_for_Africa_17.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Installation view of Kapwani Kiwanga’s Flowers for Africa. Exhibition at OR Gallery, September 9 - October 14, 2017, 2017. Photo: Rachel Topham Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1544669389065-158YMC1GCTEP5GNIZZRQ/Granville_Skytrain_mural.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>John Paul Velten’s Life Transformations. Vancouver City Centre skytrain, Granville and East Georgia, Vancouver, 2018. Photo: Rachel Topham Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598038317629-U3J8P4TPV9JVL2LWM3JF/fermenting_feminism_access_2.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>installation view of “Fermenting Feminism” at Access Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598038111470-DTZ4XKWXKZDU4TLO8PP8/AGA_Meghann_OBrien_10.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>installation view of Meghann O’Brien’s “Wrapped in The Cloud” at the Art Gallery of Alberta</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1544669400879-D20UQ3YRJFPMZPH5S1M8/Griffin_6.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Installation image of Modernism in Iran: 1958 – 1978, Griffin Art Projects, January 26 - May 5, 2018. Photo: Rachel Topham Photography.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1439403655100-CJZEE2BVSMSBKZWW2LFN/starling_linden.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Installation view of Martin Honert’s Vogel/Starling, 1992 and Linde/Linden, 1990. MMK Museum für Moderne Kunst Frankfurt am Main Acquired with funding from the Margarethe and Gustav Kober Donation, 2005/101 © Martin Honert/SODRAC (2013) Photo: Rachel Topham, Vancouver Art Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1544669227953-VT7CYF4FYEDGW8NKQR6X/EM_1.jpg</image:loc>
      <image:title>spaces - I</image:title>
      <image:caption>Installation image of Elizabeth MacKenzie’s Equation, 2018 at Emily Carr University</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1439408729218-FZ962V8NZ5I9FNUO273T/Komagata_Maru_1.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Installation view of the Komagata Maru Monument in Coal Harbour, 2016. Photo: Rachel Topham Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1544669192491-4JUGRGMCFJP45I5KF1KA/325_west_4th_1.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Installation view of Okuda San Miguel’s mural at 325 W 4th Ave. Photo: Rachel Topham Photography.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1544669233676-JIQI35QIC0FEPTONKGU3/325_west_4th_2.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Installation view of Okuda San Miguel’s mural at 325 W 4th Ave (detail). Photo: Rachel Topham Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1545067083275-NR6N2S15QW2U4ZFTUMCD/VAG-2007.4.1a-c.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Marianne Nicolson’s Baxwana'tsi: The Container for Souls, 2006. Collection of the Vancouver Art Gallery, Purchased with funds donated by the Audain Foundation. Photo: Rachel Topham, Vancouver Art Gallery</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1544669193990-Z5XZDS1YOFAWFQ6O3MHK/_DSF1310.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Installation image of Guo Pei: Couture Beyond, exhibition at the Vancouver Art Gallery October 13, 2018 - January 20, 2019. Rachel Topham, Vancouver Art Gallery.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1544669247445-KJRYJJ63T260R2TVVW33/evergreen_Ben_Reeves_001.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Installation view of Ben Reeves: Floating among Phantoms, exhibition at the Art Gallery at Evergreen, 2018, Photo: Rachel Topham Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1544669459847-7EE611VSL1B276IFSH18/Kruger_15.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Barbara Kruger Untitled (SmashUp), 2016 site-specific installation at the Vancouver Art Gallery. Photo: Rachel Topham, Vancouver Art Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1544669493447-NWHETC8VAD4JJZT6TUH5/Myfanwy_MacLeod_city_square_1.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Installation image of Myfanwy Macleod’s figurine at Station Square, 2018. Photo: Rachel Topham Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1544669494674-ZM5FX3IN6NWW7KRPIMPU/Murakami_install_04.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Chakras Open and I Drown Under the Waterfall of Life, 2017, by Takashi Murakami. Photo: Rachel Topham, Vancouver Art Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1544669481667-GEZTFLHKEMWS5Y5A0053/Murakami_install_49.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>From left, 69 Arhats Beneath the Bodhi Tree, 2013; Embodiment of ‘Um’, 2014; and Embodiment of ‘A’ , 2014, all by Takashi Murakami. Photo: Rachel Topham, Vancouver Art Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1439403600293-PGO6EL0A4QDGZR3GX4W0/Ai_wei_wei_pan_1.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Installation view of Ai Weiwei, Bang, 2010–14, in Unscrolled: Reframing Tradition in Chinese Contemporary Art, exhibition at the Vancouver Art Gallery, November 15, 2014 to April 6, 2015. Photo: Rachel Topham, Vancouver Art Gallery.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1544669529970-OJY9CHXFGWY518VWOAQ4/Onsite_Tsang_Kin-wah_14.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Tsang Kin-Wah EITHER / OR, 2017, site-specific installation at Vancouver Art Gallery Photo: Rachel Topham, Vancouver Art Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1544669512766-L0Z0FCNL5WTC6CZXOXMT/Offsite_Tsang_Kin-wah_2.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Tsang Kin-Wah, EITHER / OR, 2017 (detail), site-specific installation at Vancouver Art Gallery Offsite Photo: Rachel Topham, Vancouver Art Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1439403641593-DLFFES74PT8534MLNOQ1/Rachel_Topham_Photography_12.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Installation view of Reece Terris’s Western Front Front: Another False Front (Installation View-NW), 2010. Photo: Rachel Topham Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1439403628892-2D22IPTC730TCWRWFEUA/amazing_laughter_1.JPG</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Installation views of A-Maze-ing Laughter, 2009. Photo: Rachel Topham Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1439403633929-JFIDW7U9BIHLEMRE489P/amazing_laughter_4.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Installation views of A-Maze-ing Laughter, 2009. Photo: Rachel Topham Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1439403649194-FTQY0NQ2V4M54OGM8GUD/Rachel_Topham_Photography_17.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>Heather and Ivan Morison, Plaza, 2010, site-specific installation at Vancouver Art Gallery Offsite. October 2, 2010 to May 30, 2011 Photo: Rachel Topham, Vancouver Art Gallery.</image:caption>
    </image:image>
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      <image:title>spaces</image:title>
      <image:caption>Installation view of Janice Wu’s Chinese Herbs I, part of the City of Vancouver’s Chinatown Artwrap project, 2018. Photo: Rachel Topham Photography.</image:caption>
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      <image:caption>Installation view of eternal return, curated by Sunshine Frère at Richmond Art Gallery, Richmond, Canada, 2017. Photo: Rachel Topham Photography.</image:caption>
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      <image:caption>Installation view of Lou Sheppard’s “My Fears of Tomorrow are Melting Away” at Access Gallery</image:caption>
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      <image:title>spaces</image:title>
      <image:caption>installation view of “Amalie Atkins: where the hour floats” at the Art Gallery of Evergreen</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598038316781-KXFTDKCBLWRHZTA1W6M9/Howard495_wait_until_dark_15.jpg</image:loc>
      <image:title>spaces</image:title>
      <image:caption>installation view of Theo Terry’s “Artificial Shrimp and other Simulacra” at Howard495</image:caption>
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      <image:title>spaces</image:title>
      <image:caption>installation view of “Wait Until Dark” at Howard495</image:caption>
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      <image:title>about</image:title>
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  </url>
  <url>
    <loc>http://www.racheltophamphotography.com/people</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-21</lastmod>
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      <image:title>people</image:title>
      <image:caption>Ledgers (2019) is a vocal music composition based on contemporary madrigals as a response to Erwin Wurm’s sculptural installation called Big Disobedience at the Vancouver Art Gallery Offsite. Commissioned by the Vancouver Art Gallery, Ledgers is choreographed by Mike Bourscheid and composed by Robyn Jacob. Lyrics are written by Vanessa Brown and Mike Bourscheid and performed by Emily Cheung, Hilary Ison and Emily Millard. Costume fabrication: Malika Montague; Steel frame fabrication: Rob Turriff; Song Lyrics: Vanessa Brown and Mike Bourscheid; Costume design and fabrication: Mike Bourscheid</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1572295704039-5S605OUR3EXHGRZ9HGH7/Goto_Morin_this_is_not_us__0804.jpg</image:loc>
      <image:title>people</image:title>
      <image:caption>Ayumi Goto, Tarah Hogue and Peter Morin performed this is not us at the Vancouver Art Gallery on July 21, 2018. The two artists and curator activated three portrait masks carved by Haida artist Corey Bulpitt; during the performance, they roamed the gallery from top to bottom, exploring both public and private spaces.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1571773294997-WPINGI40YMTERIL8ARPK/Nelly_Cesar_spill_response_4.jpg</image:loc>
      <image:title>people</image:title>
      <image:caption>Performative talk by Nelly César, curated by Guadalupe Martinez as part of the Spill exhibition at the Morris and Helen Belkin Art Gallery (September 3–December 1, 2019). Response is a live research and performance component that brings together activists, performance artists and educators whose practices consider relationships between the body, the land and forms of pedagogy that engage with healing, love and sustainability as core to their methodologies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1572296118185-ZK3UP2WEJX0AZAFOU3WS/GNK_CSA_4.jpg</image:loc>
      <image:title>people</image:title>
      <image:caption>Garry Neill Kennedy, Remembering Names, CSA Space, October, 2018</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598042855731-UO5HTWW5CPQ37TWW34AJ/image-asset.jpeg</image:loc>
      <image:title>people</image:title>
      <image:caption>Idealverein is a new performance conceived by Mike Bourscheid. The work unfolds as a set of considered improvised movements, a game of gestures, actions, relationships, commitments, questions and moods played by six. The stage is a field of play and the rules are dictated by the costumes which determine how the players can move and with whom they are allied, working together to form allegiances or switching sides at a whim! Performers: Alison Denham, Ralph Escamillan, Ed Spence, Kate Franklin, Germaine Koh, Erika Mitsuhashi; Costumes and Direction: Mike Bourscheid Choreography: Justine Chambers; Presented in partnership with the PuSh International Performing Arts Festival, Jan 22-24 at Western Front, Vancouver</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598042477066-J760FZUJFZWK56VHMHST/Granville_4th_mural_portraits_40.jpg</image:loc>
      <image:title>people</image:title>
      <image:caption>Wade Baker and Sierra Tasi Baker create their mural “The Waters are Rising” under the Granville Street Bridge.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1571774725930-MHBDTG9XXRE6GHHEVS50/Lou_Sheppard_Syntactic_Movement_25.jpg</image:loc>
      <image:title>people</image:title>
      <image:caption>Lou Sheppard, A Strong Desire: Syntactic Movement, performance documentation at Audain Gallery, October 9, 2019. This performance prefaced the opening of Relations of Responsibility, at the Audain Gallery, Simon Fraser University. Lou Sheppard translates the criteria for gender dysphoria from the fifth edition of the Diagnostic and Statistical Manual of Mental Disorders into dance. A Strong Desire: Syntactic Movement moves between languages — that of the diagnostic text and that of the movement score — foregrounding Sheppard's capacity to exert agency, through performance, on these otherwise static forms. Lou Sheppard is a Canadian artist working in interdisciplinary audio, performance and installation-based practice. Sheppard was raised on unceded Mi'Kmaq territory / Nova Scotia.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1572299320435-JBRJB0BIC0SWNITZ0XXR/Belkin_spill_final_performance_78.jpg</image:loc>
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      <image:caption>Final installation of “Spill:Response”; ‘curated by Guadalupe Martinez, the live research and performance component brings together activists, performance artists and educators whose practices deeply consider relationships between the body, the land and forms of pedagogy that engage with healing, love and sustainability as collaborative methodologies. Visiting artist Nelly César will collaborate with Maria Thereza Alves, Anne Riley and Cease Wyss within the Belkin Gallery and surrounding locations on the unceded Musqueam, Squamish and Tsleil-Waututh territories. Extending their activities into local sites such as the UBC Farm, the Fraser River and sites of protest, the artists will present talks, workshops and performances over the course of the visit.’</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1571772981997-8HCCVFX45RG3UUZV5NJG/Belkin_Spill_response_Kwekwecnewtxw_1.jpg</image:loc>
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      <image:caption>Working with the Morris and Helen Belkin Art Gallery, Guadalupe Martinez has invited artist Jay White and poet Rita Wong to contribute to the ‘Spill: Response’ research process. We visited Kwekwecnewtxw, the Coast Salish Watch House and then walked along the proposed Kinder Morgan pipeline with Stream-keeper John Preissl.</image:caption>
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      <image:caption>Installation of the public art work, “Koco, Brewers Park, August 11, 2019” by artist Peter Gazendam at The Victoria</image:caption>
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      <image:caption>Jan. 10, 2019, the Dzawada’enuxw Nation filed a lawsuit against the government of Canada, upholding their traditional legal obligations and asserting their constitutionally-protected aboriginal rights; documented in conjunction with the exhibition “Hexsa'a̱m: To Be Here Always” at the Morris and Helen Belkin Art Gallery.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1598043348043-07CZRADJAQETFKJG1GIR/Sonics_Gheirati_25.jpg</image:loc>
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      <image:caption>A facet of campus life that has changed significantly with the pandemic is one that most of us never noticed before but would be struck by now: the sounds of campus. The whir of students moving between classes, the hum of vehicles on the road and the ripples of classroom discussion were all familiar noises, so much so that we grew inured to them. But they are gone now. In their place, a hush has emerged. The stillness is at once eerie, peaceful and captivating. It calls out to be pondered and explored. Sonic Responses answers that call. As heard in the works of R. Murray Schafer, Hildegard Westerkamp and Barry Truax, sound offers a way of entering a soundscape and hearing in new ways the sounds encountered there. So it is with the quiet soundscape that has emerged on campus. The responses in this project take the form of performers playing in campus locations claimed by silence and composers transforming sounds recorded across UBC. Their music-making confronts and enters into a dialogue with the quiet that now resides on campus.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55cb89e5e4b0c0f75a3fa971/1571775282145-Z0L9J226HC74FZ59LJOW/CJG_Unexplained_Parade_February_2019_61.jpg</image:loc>
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      <image:caption>Trisha Brown and Trisha Brown Dance Company, Accumulation, 1971, choreography for 1 performer, “Uncle John’s Band” by The Grateful Dead (1970), 4 minutes, 46 seconds. Installation view, Unexplained Parade, Catriona Jeffries, Vancouver, February 9, 2019</image:caption>
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  </url>
  <url>
    <loc>http://www.racheltophamphotography.com/headshots</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2022-02-25</lastmod>
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